I stumbled upon my method of “throw painting” in 1987 while still a student of figurative art. Plopping various amounts of black and white acrylic into a spoon and hurling the contents would yield unpredictable patterns on the canvas. It was like assembling a puzzle, of which the image could not have been foreseen beforehand.
And discovering imagery was my primary interest. Although this method of paint application had previously been identified with formalist abstraction, I utilized it for its image making potential. I was excited by the hallucinatory early James Ensor, early and late Jackson Pollock and the recent work of Malcolm Morley. In these artists scenes emerged from the materiality of the paint, in a fluctuating dance between surface and depth. If I were to simply state my goal, I’d echo Morley’s remark that he wanted to depict reality as if “ the world were made of paint”.
Downs, KevinEskenazi, Jason