Tuesday, March 23, 2010

Why humans sing?

According to David Attenborough;

It's tempting to think that human beings very early in their history used music in a similar way. And there can be little question that a male with a good singing voice in our own society today is still a source of sexual attraction and excitement. What else is a serenade? Watch a pop concert! And just as among the great reed warblers, quality counts. Females have been selecting males with a versatile larynx since way back in our ancestry.

Today young men sing together to generate camaraderie, and religious people use song to generate the deepest and most profound emotions among themselves and their listeners. But the prime function of song is something else. Shakespeare wondered if music was the food of love. Well, vocally at least, it certainly was. And what is more, it still is.


Be sure to check our Carnival of Podcasts.

Cool and Creative Assorted

Top 45 Creative Anti-Smoking Advertisements

Google Calendar's Smart Rescheduler: Great for Sneaky Secretaries or Lazy People

The Design Inspiration


Google Fast Flip


Google Fusion Tables


Google Reader Play


Kinetic Shadows

The Apartment Therapy

Saturday, March 20, 2010

Art podcast of the Day- Edvard Munch


From BBCs In Our Time;

First exhibited in 1893 in Berlin, The Scream was the culmination of Munch's magnum opus, a series of paintings called The Frieze of Life. This depicted the course of human existence through burgeoning love and sexual passion to suffering, despair and death, in Munch's highly original, proto-expressionist style.

His titles, from Death in the Sickroom, through Madonna to The Vampire, suggest just how directly and unironically he sought to depict the anxieties of late-19th century Europe.

But against all Munch's images, it is The Scream which stands out as the work which has seared itself into the Western imagination. It remains widely celebrated for capturing the torment of existence in what appeared to many in Munch's time to be a frightening, godless world.

Munch himself endured a childhood beset by illness, madness and bereavement. At 13, he was told by his father that his tuberculosis was fatal. But he survived and went on to become a major figure first in the Norwegian, then the European, avant-garde.

He became involved with two of the great playwrights of the period. He collaborated with his fellow countryman Henrik Ibsen and became a close friend of the tempestuous Swede August Strindberg. He admired the work of Post-Impressionist painters such as Paul Gauguin and Vincent van Gogh and the philosophy of Friedrich Nietzsche, all of whom influenced his art.

Munch's own influence resonated through the 20th century, from German Expressionism to Andy Warhol and beyond. His work, particularly The Scream, remains powerful today.


Download the podcast

Related:
Painting by Words- a Tyler Cowan review of The new edition of van Gogh's letters;
Time and again, the reader wonders just how much van Gogh and his brother trust each other. In the letter of August 14, 1879, for instance, he complains that Theo has advised him to give up his quest to be an artist. "And, joking apart, I honestly think it would be better if the relationship between us were more trusting on both sides," van Gogh suggests, before apologizing for the possibility that so much of the family sorrow and discord have been caused by him. These look and sound like letters to his brother, but in essence we are reading fund-raising proposals....

So what did van Gogh see as his own strengths and weaknesses? In an early letter to Theo (May 8, 1875), he quotes Renan: "Man is not placed on the earth merely to be happy; nor is he placed here merely to be honest, he is here to accomplish great things through society, to arrive at nobleness, and to outgrow the vulgarity in which the existence of almost all individuals drags on." This is a vision he lived. But at what cost? In one of his late letters to his brother (July 2, 1889), van Gogh says that he was "infinitely too harsh . . . in claiming that it was better to love painters than paintings." The reader now has to ask similar questions. Van Gogh becomes less likable and more lovable, more familiar and yet somehow ever stranger. In reading and studying these books, we can at once achieve both ends.

Wednesday, March 17, 2010

The purpose of architecture in cities?


Like many of his generation — Mr. Nouvel is 64 — he retains a stubborn, some might say naïve, belief that architecture should make us alert to the conflicts that shape the modern city rather than conceal them.

That attitude is apparent in the mixed signals the building sends. Seen from across the West Side Highway, the tower’s twinkling facade, with its hundreds of irregularly shaped windows tilted at odd angles to reflect fragments of sky or the surrounding city, offers a striking counterpoint to the soft, sail-like curves of Mr. Gehry’s creation. Rows of older brick buildings flank them to the north and south, and the contrast between glass and masonry, straight and curved lines, creates a nice rhythm along what was once a bleak strip of decrepit offices and warehouses.

-At the Corner of Grit and Glamour

Thursday, March 11, 2010

Chutes and Ladders in Harlem



A highly recommended podcast from EconTalk with Katherine Newman,a sociologist at Princeton.

Tuesday, March 9, 2010

Random Artists


Source: NYT


Andresen, Charles;
I stumbled upon my method of “throw painting” in 1987 while still a student of figurative art. Plopping various amounts of black and white acrylic into a spoon and hurling the contents would yield unpredictable patterns on the canvas. It was like assembling a puzzle, of which the image could not have been foreseen beforehand.

And discovering imagery was my primary interest. Although this method of paint application had previously been identified with formalist abstraction, I utilized it for its image making potential. I was excited by the hallucinatory early James Ensor, early and late Jackson Pollock and the recent work of Malcolm Morley. In these artists scenes emerged from the materiality of the paint, in a fluctuating dance between surface and depth. If I were to simply state my goal, I’d echo Morley’s remark that he wanted to depict reality as if “ the world were made of paint”.


Boynton, Christopher
Downs, Kevin
Eskenazi, Jason
Franke, Kevin
Hoffmeister, Peter
Laughner, Jack
Lemakis, Emilie
Padwe, Phil
Steely, Barry
Varley, Mike
Weber, Owen

Yoda, Yoichiro

Sunday, March 7, 2010

Schelling Quote- The Very Basics of Game Theory

"If I go downstairs to investigate a noise at night, with a gun in my hand, and find myself face to face with a burglar who has a gun in his hand, there is a danger of an outcome that neither of us desires. Even if he prefers to just leave quietly, and I wish him to, there is danger that he may think I want to shoot, and shoot first."


via David Henderson

The Lesson: 'in thinking through various actions you might take to have an effect on B, ask yourself how you would respond to such actions if you were B. In other words, put yourself in the other person's shoes, not to get a touchy, feely, we're-all-in-this together Kumbaya moment, but to come up with your most-realistic analysis'

Friday, March 5, 2010

I'm Winston Wolfe. I solve problems.

Even Presidents' needs cleaners- public management lessons from Pulp Fiction.


In his memoir Speech-less, Matt Latimer, a speechwriter for both Rumsfeld and Bush, describes Gates as "our Winston Wolf," the Harvey Keitel character in Pulp Fiction who comes to dispose of the bodies and take care of the bloody mess after an accidental killing. "Wolf was a case study of robotic efficiency, overseeing an elaborate cleanup while calmly drinking a cup of coffee," writes Latimer. "That's what President Bush wanted — a cold-blooded competent cleaner."

-The Winston Wolf of Public Management

The Revenge of the Artist



Ion Barladeanu;

"I feel as if I have been born again," he said, as some of France's leading collectors and curators jostled for position to see his collages. "Now I feel like a prince. A pauper can become a prince. But he can go back to being a pauper too."...

Barledeanu describes himself as a "director" of his own films and considers each collage to be a movie in itself. While many are light-hearted, others are darker, infused with black humour and often focusing on the man he calls his "greatest fear". "I knew that if he knew about my work Ceausescu would not sleep in peace in his grave," he said. "If people had found out about my work they could have chopped my head off … But this is my revenge."...

Whatever the world thinks, Barladeanu says he will carry on working regardless. "It's like eating pie or sandwiches. It fulfils me," he said in his fast-paced Romanian slang. "If I were reincarnated in another life I would still be making collages, and if I could take them to the moon I would."


Random Science Blogs

Thoughtful Animal

The Loom

Maxwell Demon

Maths Students Read

Big Thinkers from Yahoo- The Economists

Richard Thaler

Kenneth Arrow, "Facing a Long and Uncertain Future"


Al Roth, "What Have We Learned from Market Design"

Paul Milgrom, "Economics of Combinatorial Auctions"

Tuesday, March 2, 2010

Daniel Kahneman on Happiness


Daniel Kahneman reveals how our "experiencing selves" and our "remembering selves" perceive happiness differently

Thursday, February 25, 2010

Blind Artist of the Day- John Bramblitt



John Bramblitt didn’t start painting until he lost his sight. It was a difficult time. Bramblitt was in his late 20’s and unaware that his sight was seriously degrading until he was sideswiped by an unseen car. He was also worried about having the severe epileptic seizures that had already taken their toll on his vision. And he was angry. In fact, he believes that taking up painting after losing his sight was mostly an act of defiance....

According to Bramblitt, “White feels thicker on my fingers, almost like toothpaste, and black feels slicker and thinner. To mix a gray, I’ll try to get the paint to have a feel of medium viscosity”.

-Painting By Touch

Tuesday, February 23, 2010

How Artists Think- 'they are epiphany machines'

Picaso's method;

"I have never made trials or experiments. Whenever I had something to say, I have said it in the manner in which I needed to be said...I can hardly understand the importance given to the word research in connection with modern painting. In my opinion to search means nothing in painting. To find is the thing."

Saturday, February 13, 2010

Book Recommendation



In an essay in his just-published Natural Experiments of History, Jared Diamond puts the question the way you want it to be asked – comparatively. He examines the histories of Haiti and the Dominican Republic, the two halves of the island of Hispaniola, the first place Columbus stopped in the New World. Natural Experiments is an exemplary book, short and graceful, conveying a broad swathe of the most interesting work going on today around the world in departments of economics, political science and anthropology, under the heading of comparative political economy. The story of Haiti is especially compelling.

- David Warsh

Jared Diamond's Natural Experiments of History- podcast

Contents:
* Prologue: Natural Experiments of History
Jared Diamond and James A. Robinson

1. Controlled Comparison and Polynesian Cultural Evolution
Patrick V. Kirch
2. Exploding Wests: Boom and Bust in Nineteenth-Century Settler Societies
James Belich
3. Politics, Banking, and Economic Development: Evidence from New World Economies
Stephen Haber
4. Intra-Island and Inter-Island Comparisons
Jared Diamond
5. Shackled to the Past: The Causes and Consequences of Africa's Slave Trades
Nathan Nunn
6. Colonial Land Tenure, Electoral Competition, and Public Goods in India
Abhijit Banerjee and Lakshmi Iyer
7. From Ancien Régime to Capitalism: The Spread of the French Revolution as a Natural Experiment, Daron Acemoglu, Davide Cantoni, Simon Johnson, and James A. Robinson
* Afterword: Using Comparative Methods in Studies of Human History
Jared Diamond and James A. Robinson

Niche Design




He has hewed to the old decorating dictum that says that the more stuff you put in a room (albeit artfully arranged stuff), the bigger it seems.

Wednesday, December 30, 2009

One Author to read 2010- Orhan Pamuk

Pamuk’s appeal has not been lost on politicians. Daniel Cohn-Bendit has credited Pamuk with helping him to ‘understand the importance of Turkey joining the European Union’...

One woman in The Black Book fears that, having spent half her life trying to be someone else, she is now condemned to spend the next half ‘being someone else who regretted all those years she had not spent being herself’. The hero of that novel, a lawyer called Galip (after the 18th-century mystic poet Sheikh Galip), shaken by the disappearance of his wife, Rüya (‘dream’), manages to piece himself together, but only after assuming the identity of the newspaper columnist his wife seems to have run away with; as he loses himself in the back alleys of Istanbul, he begins to suspect that the journalist, the enigmatic Celâl (after the Sufi poet Jelal ud-Din Rumi), is the secret author of his fate. Galip is one of the luckier characters in Pamuk, transported to the shores of a stable identity by a mystical journey; most are left hanging, swinging between East and West, between the mosque and the mall. To the characters in Snow, Islamism is a powerful, almost erotic temptation, since it promises to eradicate this vertiginous sense of dislocation: it’s no accident that one of the Islamist leaders in that novel is a dashing, charismatic seducer of his female followers, beguiling them with his blue eyes and his fiery vision of a cleansed and virtuous Muslim society.

-Wanting to Be Something Else

David Brooks favorite blogs

Fortunately there are a few Web sites that provide daily links to the best that is thought and said. Arts and Letters Daily is the center of high-toned linkage on the Web. The Browser is a trans-Atlantic site with a superb eye for the interesting and the profound. Book Forum has a more academic feel, but it is also worth a daily read.

-The Sidney Awards II

Monday, December 28, 2009

When things go wrong in project managment!

I'm starting to become a big fan of Scott Berkun;

1. Calm down. Nothing makes a situation worse than basing your actions on fear, anger, or frustration. If something bad happens to you, you will have these emotions whether you’re aware of them or not. They will also influence your thinking and behavior whether you’re aware of it or not. (Rule of thumb: the less aware you are of your feelings, the more vulnerable you are to them influencing you.) Don’t flinch or overreact—be patient, keep breathing, and pay attention.

2. Evaluate the problem in relation to the project
. Just because someone else thinks the sky has fallen doesn’t mean that it has. Is this really a problem at all? Whose problem is it? How much of the project (or its goals) is at risk or may need to change because of this situation: 5%? 20%? 90%? Put things in perspective. Will anyone die because of this mistake (you’re not a brain surgeon, are you?)? Will any cities be leveled? Plagues delivered on the innocent? Help everyone frame the problem to the right emotional and intellectual scale. Ask tons of questions and get people thinking rather than reacting. Work to eliminate assumptions. Make sure you have a tangible understanding of the problem and its true impact. Then, prioritize: emergency (now!), big concern (today), minor concern (this or next week), bogus (never). Know how long your fuse is to respond and prioritize this new issue against all existing work. If it’s a bogus issue, make sure whoever cried wolf learns some new questions to ask before raising the red flag again.

3. Calm down again. Now that you know something about the problem, you might really get upset (“How could those idiots let happen!?”). Find a way to express emotions safely: scream at the sky, workout at the gym, or talk to a friend. But do express them. Know what works for you, and use it. Then return to the problem. Not only do you need to be calm to make good decisions, but you need your team to be calm. Pay attention to who is upset and help them calm down. Humor, candor, food, and drink are good places to start. Being calm and collected yourself goes a long way toward calming others. And taking responsibility for the situation (see the later section “Take responsibility”), regardless of whose fault it was, accelerates a team’s recovery from a problem.

4. Get the right people in the room Any major problem won’t impact you alone. Identify who else is most responsible, knowledgeable, and useful and get them in together straight away. Pull them out of other meetings and tasks: if it’s urgent, act with urgency, and interrupt anything that stands in your way. Sit them down, close the door, and run through what you learned in step 2. Keep this group small; the more complex the issue, the smaller the group should be. Also, consider that (often) you might not be part of this group: get the people in the room, communicate the problem, and then delegate. Offer your support, but get out of their way (seriously—leave the room if you’re not needed). Clearly identify who is in charge for driving this issue to resolution, whether it’s you or someone else.

5. Explore alternatives. After answering any questions and clarifying the situation, figure out what your options are. Sometimes this might take some research: delegate it out. Make sure it’s flagged as urgent if necessary; don’t ever assume people understand how urgent something is. Be as specific as possible in your expectation for when answers are needed.

6. Make the simplest plan
. Weigh the options, pick the best choice, and make a simple plan. The best available choice is the best available choice, no matter how much it sucks (a crisis is not the time for idealism). The more urgent the issue, the simpler your plan. The bigger the hole you’re in, the more direct your path out of it should be. Break the plan into simple steps to make sure no one gets confused. Identify two lists of people: those whose approval you need for the plan, and those who need to be informed of the plan before it is executed. Go to the first group, present the plan, consider their feedback, and get their support. Then communicate that information to the second group.

7. Execute
. Make it happen. Ensure whoever is doing the work was involved in the process and has an intimate understanding of why he’s doing it. There is no room for assumption or ambiguity. Have specific checkpoints (hourly, daily, weekly) to make sure the plan has the desired effect and to force you and others in power to consider any additional effort that needs to be spent on this issue. If new problems do arise, start over at step 1.

8. Debrief. After the fire is out, get the right people in the room and generate a list of lessons learned. (This group may be different from the right people in step 4 because you want to include people impacted by, but not involved in, the decision process.) Ask the question: “What can we do next time to avoid this?” The bigger the issue, the more answers you’ll have to this question. Prioritize the list. Consider who should be responsible for making sure each of the first few items happens.


Making Things Happen: Mastering Project Management
-Scott Berkun

Assorted Cool blogs

DesignBoom

Typefiend

Confessions of a Public Speaker- recommended by Tyler Cowen



Tyler Cowen recommends:
Scott Berkun, Confessions of a Public Speaker. If you get only one good tip from this book, it's worth it.

Sunday, December 27, 2009

Using Obituaries in Teaching- The Rain Man is dead!

Kim Peek possesses one of the most extraordinary memories ever recorded. Until we can explain his abilities, we cannot pretend to understand human cognition...

He can, indeed, pull a fact from his mental library as fast as a search engine can mine the Internet. He read Tom Clancy’s The Hunt for Red October in one hour and 25 minutes. Four months later, when asked, he gave the name of the Russian radio operator in the book, referring to the page describing the character and quoting several passages verbatim. Kim began memorizing books at the age of 18 months, as they were read to him. He has learned 9,000 books by heart so far. He reads a page in eight to 10 seconds and places the memorized book upside down on the shelf to signify that it is now on his mental “hard drive.”

Kim’s memory extends to at least 15 interests—among them, world and American history, sports, movies, geography, space programs, actors and actresses, the Bible, church history, literature, Shakespeare and classical music. He knows all the area codes and zip codes in the U.S., together with the television stations serving those locales. He learns the maps in the front of phone books and can provide Yahoo-like travel directions within any major U.S. city or between any pair of them. He can identify hundreds of classical compositions, tell when and where each was composed and first performed, give the name of the composer and many biographical details, and even discuss the formal and tonal components of the music. Most intriguing of all, he appears to be developing a new skill in middle life. Whereas before he could merely talk about music, for the past two years he has been learning to play it...

t is not surprising that Kim’s prodigious memory caught the attention of writer Barry Morrow at a chance meeting in 1984 and inspired him to write the screenplay for Rain Man, whose main character, Raymond Babbitt, is a savant played by Dustin Hoffman. The movie is purely fictional and does not tell Kim’s life story, even in outline. But in one remarkably prescient scene, Raymond instantly computes square roots in his head, and his brother, Charlie, remarks, “He ought to work for NASA or something.” For Kim, such a collaboration might well happen.

NASA has proposed to make a high-resolution 3-D anatomical model of Kim’s brain architecture. Richard Boyle, director of the NASA BioVIS Technology Center, describes the project as part of a larger effort to overlay and fuse image data from as wide a range of brains as possible—and that is why Kim’s unusual brain is of particular value. The data, both static and functional, should enable investigators to locate and identify changes in the brain that accompany thought and behavior. NASA hopes that this detailed model will enable physicians to improve their ability to interpret output from far less capable ultrasound imaging systems, which are the only kind that can now be carried into space and used to monitor astronauts.

-Inside the Mind of a Savant

Saturday, December 26, 2009

Invisible Hand for Energy Supply and Demand (for the body)



Dr. Edwin G. Krebs, who shared a Nobel Prize in 1992 for discovering a crucial bodily process that helps govern the movement of muscles, the shape and division of cells, and even learning and memory, died Monday in Seattle. He was 91....

The process Dr. Krebs discovered in the 1950s with Edmond H. Fischer, a colleague at the University of Washington, activates proteins that can change the entire character of cell functions, thus regulating them. Among other actions, the process can trigger the release of hormones that govern bodily functions.

When the process is carried out in successive steps, it can create a cascade that has a powerful final effect. That wave helps to explain how a tiny amount of a hormone, say, can have a vast effect on normal functions throughout the body. It also helps explain cell growth and death.

“It was an embarrassingly simple reaction that we found,” Dr. Fischer said in a telephone interview Wednesday, and “it came out as a total surprise.”

“It turned out to be absolutely crucial for the regulation of cellular processes,” he said.

Imbalances in the cascade effect are believed to be important factors in the development of cancer, heart disease, diabetes and nervous system disorders. Researchers creating novel therapies to combat these diseases have drawn on the work of Drs. Krebs and Fischer, principally by adding and removing phosphates to cell proteins in a process called reversible protein phosphorylation....

In presenting the prize, Prof. Hans Jornvall of the Nobel Assembly likened phosphorylation to ballet shoes: “Despite their small size, they have dramatic effects on their wearer! The shape of the foot is altered, and after that, work is like a dance.” The process is reversible and can be repeated many times, like taking off and putting on the shoes.

-Edwin Krebs Dies at 91; Discovered a Crucial Bodily Process

So why did he become a scientist?

Urbana High School was an excellent institution with highly dedicated teachers and a broad range of extracurricular activities that were useful in helping me make up my mind as to what I wanted to do in life. This problem was one that was occupying my mind increasingly at this time. Because these were depression years, my thinking about various professions was colored by the question of whether or not a given choice of work was one in which I could earn a livelihood. I gravitated toward a scientific career, not because of deep interest in the challenges of the unknown, but because I felt that there was security in becoming a scientist. Science courses, more than the others, provided subject matter that I felt could actually be used.

Thursday, December 24, 2009

You can’t build a country if you’re not thinking beyond your own lifetime

Mr. Ali is an institution in Pakistan. He has started some of the country’s most successful companies. But perhaps his most important contribution has been his role in creating the Lahore University of Management and Science, or L.U.M.S., begun as a business school but now evolved into the approximate equivalent of Harvard University in Pakistan.

Pakistan’s biggest problem, he believes, is one of leadership. A corrosive system of privilege and patronage has eaten away at merit, degrading the fabric of society and making it more difficult for poor people to rise. The growing tendency to see government positions as chances to profit, together with the explosion in the country’s population, has led to a sharp decline in the services that Pakistan’s government offers its people.

“Nobody is bothered about the masses,” Mr. Ali said...

“You can’t build a country if you’re not thinking beyond your own lifetime,” Mr. Ali said.

Pakistan’s education system has been one of the casualties. Good public education can create opportunity in societies, but in Pakistan it has been underfinanced and ignored, in part because the political class that runs the country does not consume its services. Fewer than 40 percent of children are enrolled in school here, far below the South Asian average of 58 percent. As a result, Pakistan’s literacy rate is a grim 54 percent...

These days the university attracts many offspring of wealthy Pakistanis, who would otherwise have gone to the United States or the United Kingdom for their undergraduate studies.

THAT was the case for Mr. Ali, who was studying at the University of Michigan in 1947, the year Pakistan became a state. He returned to Pakistan in December of that year, ultimately earning his bachelor’s degree from Punjab University in Pakistan, but he kept his ties with the United States. His brother later became Pakistan’s ambassador in Washington, and Mr. Ali’s wedding was held in the embassy there — benefits bestowed by a system he now criticizes. The ceremony was attended by Richard M. Nixon, then the vice president, and was photographed for Life magazine...

“Zia did more damage than any other leader,” Mr. Ali said. “He sowed the seeds of this fundamentalism that has raised its ugly head.”

AS early as 1973, Mr. Ali began thinking that Pakistan needed more graduates with leadership skills. He was studying at Harvard Business School at the time. Pakistan’s growing economy needed managers, and its political class needed creative thinkers. That mission became all the more urgent after the changes brought by General Haq in the 1980s, which were narrowing the worldview of Pakistan’s youth.

Pakistan’s young people, Mr. Ali said, should be “citizens of the world, not narrow-minded or intolerant.”..

One hope is that the university will help inculcate a sense of merit and fairness that has all but disappeared from Pakistani society, crippling its growth.

“Merit and fairness are gone,” he said. “The whole system is getting bogged down.”

Admission to L.U.M.S. is strictly on merit, he said, and Pakistanis who try to use connections to get in are turned away.

-One Pakistani Institution Places His Faith in Another

Related:
LUMS Launches Economic and Social Development Policy Research Center

Monday, December 21, 2009

BH Economics Blog Awards 2009

Best Overall Economics- (If you had to pick one Economics Blog what would it be?)
Econlog

Best Econ Literacy
Mankiw
Twenty Cent Paradigms
John Taylor
Worthwhile Canadian Initiative

Best Macro
Econbrowser


Best Statistics

Applied Stats
Log Base 2

Best South Asian
Ajay Shah


Most Interesting

Ben Casnocha
Seths' Blog
Three Toed Sloth
Scott Berkun

Best Current Affairs
FP Passport

Best Development
Aid Watch
Africa Can End Poverty
Chris Blattman

Public Management and Government
Joint winners IMF PFM blog and IBM's BizGov


Best Aussie, Kiwi and Irish

Core Economics
Harry Clarke
John Quiggin
Offsetting Behaviour
Irish Economy


Dead Blogs

maverecon

Best Newcomers
Landsburg's Big Questions
John Stossel
Messy Matters
Cheap Talk

Related: BH Awards 2008

Monday, December 7, 2009

Sunday, November 22, 2009

Think about for the Day

In the United States today, democracy means that most people have essentially zero political power, and a relative handful of people have almost unimaginable power. The central point of Unchecked and Unbalanced is to call attention to the extreme political inequality that has emerged in the United States, particularly over the past fifty years.

-Arnold Kling

Ancient Wisdom and Modern Solutions


Ancient Wisdom and Modern Solutions

Thursday, November 12, 2009

Elinor Ostrum in South Asia

In the south Asian context, the key contribution by Elinor Ostrom, along with other scholars (Shivakoti and Ostrom 2002) has been to provide effective empirical understanding of the performance of different types of irrigation institutional arrangements, along with a theoretical understanding of how these systems work. She demonstrated the importance of involving farmer-users in the design and management of irrigation systems for successful local resource management policies in Nepal. Work in Asia had amply demonstrated that large, centralised and essentially top-down government management systems tended to underperform, with lower rates of return on investment than systems where incentives to engineers were aligned to those of local farmer-users with their active participation (Wade 1982; Lam 1995; Ostrom 2002). Several Indian scholars have been inspired by Ostrom’s work to study issues of collective action and governance of common property resources, and to search for alternative frameworks for understanding how best to manage such resources which are often vital to the very existence of rural livelihoods in India. A large body of literature exists in India on the contributions of common property resources or CPRs as they are commonly labelled. The National Sample Survey too devoted a special round (54th round) to the de jure and de facto existence and contributions of CPRs in India, particularly in terms of their provisioning services such as fuel-wood, fodder and non-timber forest products from forests. Her work and that following hers in south Asia and elsewhere has found that institutions for collective action can emerge in rural societies characterised by inequality, prior history and poor implementation of centrally determined legal structures. Village society was often able to accept some amount of inequality, overlook prior history and agree on common norms of behaviour to solve the problems of the commons.


Several scholars from south Asia benefited from visiting the “Workshop in Political Theory and Policy Analysis”, which Ostrom established in 1973, along with her husband Vincent, a political scientist at the Indiana University Bloomington. Over time, the Workshop has turned out to be an extraordinary forum for productive deliberations from evolving associations of students and professors thereby producing a wealth of theory, empirical studies and experiments at the interface of political economy, social anthropology, economics, political science, and policy studies thereby further enriching the interdisciplinary discourse of collective action. Quite a few of the research students of Ostrom have visited Indian institutes (Institute of Economic Growth (IEG) in Delhi, being one of the prominent ones) and have worked with Indian scholars, thereby resulting in further exchanges. Ostrom herself has visited academic institutions in India a few times, the most recent visit being at the IEG in October 2008, providing the researchers the intellectual space to discuss and debate design issues in moving from models of governance of local to global commons.


Source: EPW

Related:


Elinor Ostrom and the Future of Economics
Vincent and Elinor Ostrom and public ownership of natural resources

Podcast: Elinor Ostrom Checks In
A Case Study for Elinor Ostrom's 2009 Nobel Speech?

The Significance of Elinor Ostrom’s Nobel

Books vs Articles: The Flaying of Elinor Ostrom;
Her important book that was key to her prize, Governing the Commons, 1990, has been riduculed because presumably unlike an article in the AER, it did not go through a "peer review" process


Elinor Ostrom on the Market, the State, and the Third Sector

The Ostrom Nobel



An institutional economics prize

Ostrom and Williamson get the Riksbank

What this Nobel prize means
Rethinking Institutional Analysis: Interviews with Vincent and Elinor Ostrom

Elinor Ostrom and the well-governed commons


Elinor Ostrom - Nobel Laureate 2009
Ostrom on institutions: complex solutions can spontaneously emerge

Reality bites
Congratulations to Elinor Ostrom and Oliver Williamson;
Congratulations go out to Elinor Ostrom, co-author of The Samaritan’s Dilemma: The Political Economy of Development Aid (OUP, 2005) and Oliver Williamson, author of The Mechanisms of Governance (OUP, 1999), Organization Theory: From Chester Barnard to the Present and Beyond, 2nd Edition (OUP, 1995), and The Nature of the Firm: Origins, Evolution, and Development (OUP, 1993).


See the world like Elinor Ostrom
To see the world more like Elinor Ostrom is to be guided less by ideology and more by the contours of the situation — to use the right institutional tool for the job. “[N]ational governments,” Ostrom tells us, “are too small to govern the global commons and too big to handle smaller scale problems.”


Skyhooks versus Cranes: The Nobel Prize for Elinor Ostrom;
To understand BOTH why we don’t need police officers in some cases AND why police officers don’t follow the rules in other cases, we have to expand models of human preferences to include a contingent taste for punishing others. In reaching this conclusion, she arrived at a point similar to that reached by Avner Greif (whom the Nobel committee correctly cites.)


Princeton’s Dixit Discusses Nobel for Ostrom, Williamson: Audio

Sunday, November 8, 2009

Wednesday, November 4, 2009

Lévi-Strauss is dead

A powerful thinker, Mr. Lévi-Strauss, in studying the mythologies of primitive tribes, transformed the way the 20th century came to understand civilization itself. Tribal mythologies, he argued, display remarkably subtle systems of logic, showing rational mental qualities as sophisticated as those of Western societies.

Mr. Lévi-Strauss rejected the idea that differences between societies were of no consequence, but he focused on the common aspects of humanity’s attempts to understand the world. He became the premier representative of “structuralism,” a school of thought in which universal “structures” were believed to underlie all human activity, giving shape to seemingly disparate cultures and creations.

His work was a profound influence even on his critics, of whom there were many. There has been no comparable successor to him in France. And his writing — a mixture of the pedantic and the poetic, full of daring juxtapositions, intricate argument and elaborate metaphors — resembles little that had come before in anthropology.

...With the fading of myth’s power in the modern West, he also suggested that music had taken on myth’s function. Music, he argued, had the ability to suggest, with primal narrative power, the conflicting forces and ideas that lie at the foundation of society.

But Mr. Lévi-Strauss rejected Rousseau’s idea that humankind’s problems derive from society’s distortions of nature. In his view, there is no alternative to such distortions. Each society must shape itself out of nature’s raw material, he believed, with law and reason as the essential tools. This application of reason, he argued, created universals that could be found across all cultures and times. He became known as a structuralist because of his conviction that a structural unity underlies all of humanity’s mythmaking, and he showed how those universal motifs played out in societies, even in the ways a village was laid out.

For Mr. Lévi-Strauss, every culture’s mythology was built around oppositions: hot and cold, raw and cooked, animal and human. And it is through these opposing “binary” concepts, he said, that humanity makes sense of the world.

-Claude Lévi-Strauss, 100, Dies; Altered Western Views of the ‘Primitive’